When: Saturday, February 10th 4:00-6:00pm


An Art benefit to support the HIV/AIDS program of the IU School of Medicine and Moi University in Kenya at The Studio School & Gallery When: Saturday, February 10 PREVIEW SHOW : 5:00-6:30 PM; GENERAL SHOW: 6:30 PM to 10 PM
Where: The Studio School & Gallery 5610 E. Washington St. Indianapolis 46219 (Located in the heart of Historic Irvington)
The Studio School & Gallery for an evening of panoramas that startle the imagination, inspire the spirit and benefit the IU Kenya partnership and the Imani Workshop. Take home a sunrise, an Acacia, a lion or a family of rhinos.
Below is a selection of the items that will be available for purchase or custom order. All items will be hand signed by the artist, Quay:
Proceeds from any items purchased on the night of the benefit will go to support the IU Kenya Partnership and the educational programs of The Studio School & Gallery. 
PREVIEW SHOW : $50 per person advance sale; $60 per person, night of show
GENERAL SHOW: $25 per person advance sale; $30 per person, night of opening
Students: $15, 13 and over with I.D. Children under 12, FREE
Light hors'dourve and refreshment service will begin at 5:00PM.
For more information, By Phone: 317-351-6990; Via E-Mail: thestudioschool@sbcglobal.net
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To read an essay about Hoosiers and Africa, "Who Can Help Africans Solve Their Problems?" that connects many of the events relating to Africa this spring, go to Views-PRI, the sister site of IndyBuzz (and forerunner of the electronic magazine Provocate).
IndyBuzz's "First Friday" pick for January was "Carteles" [Spanish for "poster"], the Big Car opening of Sarah Zeta Zuckerman's solo exhibition, featuring works of art inspired by political and environmental brutality witnessed by the artist. "Carteles" is an assortment of small drawings, yard signs, clothing, and paintings. The art is priced low, says Zuckerman, "in an attempt to put it out on the streets and in the hands of the masses. Given its cutting-edge, socialist, and contemporary philosophies on the nature of art and its public accessibility, Big Car Gallery was natural fit for this body of work."The catalysts for the exhibition, Zuckerman says, were public school teachers' demonstrations and police brutality that ravaged the Mexican city and state of Oaxaca. While studying indigenous art in the Oaxaca over the summer, she witnessed the government-ordered police brutality during a peaceful demonstration led by public school teachers, parents, and students protesting for higher teacher wages. As a public school teacher (teaching art at Indianapolis Public Schools' The Key Learning Community), Zuckerman had a great deal of interest and investment in the plight of the teachers. She describes how beginning June 14, 2006, police brutality rained down from helicopter and riot squads, inflaming the demonstrators, and turning a once peaceful city into a war zone. Naturally, this deeply affected millions of families throughout the entire state of Oaxaca, Mexico. 1.3 million public school children did not begin the August semester, and the majority of public school buildings stood empty, while the government headquarters in town had been seized and occupied by members of the revolting APPO party. The protest began May 22, and is still underway, gaining momentum and members from various leftist groups and agencies.
Sarah Zuckerman is an active participant of almost every field of cutting-edge art and culture in Indianapolis, from teaching to dance to the spoken word ... plus she was winner of "Masterpiece in a Day."
If this event sounds interesting, you should check out some of the others related to Mexico coming up. Craig Auchter talks about Mexico on February 7, and Steve Smith addresses the topic February 20. For a perspective about another marginalized group in Mexico, see "African Blood," the film about African-Mexicans at IMA February 22. Conflict and poverty elsewhere in Latin America are topics featured by two of Marian College's Franciscan Center for Global Studies speakers: an official from the World Bank talks about post-conflict Central America; and an influential priest talks about the Catholic Church's work in Latin America.
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RothStauffenberg is an artists’ team that consists of Christopher Roth and Franz Stauffenberg, both of whom live and work in Berlin, Germany. The duo work on the cusp of media, video, and installation art, often combining elements from all media to create highly experiential environments. For their exhibition at IMA, the artists of RothStauffenberg will display a range of their work, and adapt some elements of existing pieces in new installations. The project will include a multi-part projection of footage taken from the artists’ Hollywood film archive, as well as wallpaper decorated with timecode, pointing to the way that directors and editors use numbers to organize film, independently of a narrative structure.

If this event sounds interesting, you should check out the RothStauffenberg exhibition, which will be at IMA January 25 to July 29 in the Off the Wall Gallery and Carmen & Mark Holeman Video Gallery. You can attend the crash courses on Pop Art at the IMA February 8, and at the Eiteljorg February 15. See the exhibition of Ed Paschke at Herron School March 9, too.
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A young woman named Zhu Yingtai from Shangyu, Zhejiang, disguised herself as a man travelling to Hangzhou to study. During her journey, she met and joined Liang Shanbo, a companion schoolmate from Kuaiji (會稽) in the same province.
They studied together for three years, during which their relationshi
p strengthened. When the two parted, Zhu offered to arrange for Liang to marry her 16 years old fictitious sister. When Liang travelled to Zhu's home, he discovered her true gender. Although they were devoted and passionate about each other at that point, Zhu was already engaged with Ma Wencai (馬文才), a man her parents had arranged for her to be married to. Depressed, Liang died in office as a county magistrate. On the day Zhu was to be married to Ma, whirlwinds prevented the wedding procession from escorting Zhu beyond Liang's tomb. Zhu left the procession to pay her respects for Liang. Liang's tomb split apart, and Zhu dived into it to join him. A pair of butterflies emerged from the tomb and flew away.



The full opera will be performed March 9 and 11 at Clowes Memorial Hall. For details visit www.indyopera.org. If this event sounds interesting, you should check out the collaboration of Indianapolis Opera and the great Chinese artist Master Au on Valentine's Day.
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Maria Magdalena Campos-Pons: Everything is Separated by Water -- Organized by the IMA, Maria Magdalena Campos-Pons: Everything Is Separated by Water will be the first touring mid-career retrospective of this important Afro-Cuban artist’s work, comprising approximately 40 objects produced over the past 20 years. From her earliest relief paintings to her recent room-sized mixed-media installations and large-format Polaroid photographs, Campos-Pons has built a dynamic model of inventive identity. Using art to comment on her imagined displacement from Africa, her actual exile from Cuba, and her experience as a black Cuban woman living in North America, Campos-Pons has re-assembled fragments, symbols and memories of personal and collective history, religion, mythology and art. Many of her works deploy the female body—in its entirety or fragmented—to address the challenges inherent in building a coherent identity in the modern world.



Indianapolis artist William Rasdell's exhibition in Star Studio will feature digitally altered photographs, video, and sculptures made in response to visits to Callejon de Hamel, an alley in Havana that is the site of Afro-Cuban murals and sculptures by Cuban artist Salvador Gonzalez Escalona. Callejon de Hamel is an active artist community and the site of a weekly Rumba where musicians, dancers, locals, and tourists from around the globe pack the alley. Rasdell has been inspired by the work of Salvador Gonzalez Escalona and by the sights, sounds, and energy of this unique part of Havana. Visitors will be able to explore some of the elements of a Rumba by playing musical instruments, experimenting with hands-on materials and exploring art making processes related to Rasdell's work. In 1996 Bill first ventured to Cuba as a musician researching Afro-Cuban percussion and folklore at the University of Matanzas. Bill regularly utilizes digital technology in the enhancement of his photographs. Working in Adobe Photoshop, he is exploring new areas of creativity producing giclee prints of his work on the finest quality hand made papers.
If this event sounds interesting, you should check out the retrospective of Bill Rasdell's work at University of Indianapolis through February 9. You can attend a reception with the artist January 19 from 6:00-8:00 PM.




The art of María Magdalena Campos-Pons defies categorization, breaking the boundaries of race, culture and geography, and blurring the lines between photography, installation, and sculpture. Her work begs the question: how do artists construct meaning with the language of the visual arts? How do viewers bring meanings to art? Come to the IMA for a true conversation with art and the universal human impulse to seek narrative in form. Join Rabbi Sandy Eisenberg Sasso of Congregation Beth-El Zedeck, psychologist and educator Fayth Parks of Georgia Southern University, and Elizabeth Alexander, poet, as they view the art of Campos-Pons through the window of history, healing, spirituality, and more.